History of the Guitar

History of the Guitar

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The guitar is a string instrument of the chordophone family constructed from wood and strung with either nylon or steel strings. The modern guitar was preceded by the lute, vihuela, four-course renaissance guitar and five-course baroque guitar, all of which contributed to the development of the modern six-string instrument.
There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique.

Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, folk, jazz, jota, mariachi, metal, punk, reggae, rock, soul, and many forms of pop.

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History

Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having “a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides”. The term is used to refer to a number of instruments that were developed and used across Europe, beginning in the 12th century and, later, in the Americas. Modern chordophones are the descendants of long lines of instruments that go back several thousand years to those of ancient Central Asia and India. For this reason, modern western chordophones, like the guitar, the violin, the lute and others, are distantly related to the modern instruments of Central Asia and India, including the tanbur, the setar and the sitar. A 3,300-year-old stone carving of a Hittite bard playing a stringed instrument is the oldest iconographic representation of a chordophone.

The modern word guitar, and its antecedents, have been applied to a wide variety of cordophones since ancient times and as such is the cause of confusion. The English word guitar, the German Gitarre, and the French guitare were adopted from the Spanish guitarra, which comes from the Andalusian Arabic ‚«§±©± qitara,[ itself derived from the Latin cithara, which in turn came from the Ancient Greek ¬± kithara,and is thought to ultimately trace back to the Old Persian language Tar, which means string in Persian.

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Although the word guitar is descended from the Latin word cithara, the modern guitar itself is not generally believed to have descended from the Roman instrument. Many influences are cited as antecedents to the modern guitar.
One commonly cited influence is of the arrival of the four-string oud, which was introduced by the invading Moors in the 8th century. Another suggested influence is the six-string Scandinavian lut (lute), which gained in popularity in areas of Viking incursions across medieval Europe. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried. It is likely that a combination of influences led to the creation of the guitar; plucked instruments from across the Mediterranean and Europe were well known in Iberia since antiquity.

Two medieval instruments that were called “guitars” were in use by 1200: the guitarra moresca (Moorish guitar) and the guitarra latina (Latin guitar). The guitarra moresca had a rounded back, wide fingerboard, and several sound holes. The guitarra Latina had a single sound hole and a narrower neck. By the 14th century the qualifiers “moresca” and “latina” had been dropped and these two cordophones were usually simply referred to as guitars.

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The Spanish vihuela or (in Italian) “viola da mano”, a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been a seminal influence in the development of the guitar. It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four-course guitars.

By the late 15th century some vihuelas were played with a bow, leading to the development of the viol. By the 16th century the vihuela’s construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576.

Meanwhile the five-course baroque guitar, which was documented in Spain from the middle of the 16th century, enjoyed popularity, especially in Spain, Italy and France from the late 16th century to the mid-18th century. In Portugal, the word vihuela referred to the guitar, as guitarra meant the “Portuguese guitar”, a variety of cittern.

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